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Listen: Raymond Suttner discusses Inside Apartheid’s Prison on Drivetime

Inside Apartheid's PrisonRaymond Suttner, author of Inside Apartheid’s Prison is one of a small number of white comrades who played a substantial in bringing apartheid to an end.

Suttner, who lives in Johannesburg, is a part-time professor at Rhodes University and an Emeritus Professor at the University of South Africa. Initially a legal academic, he later obtained an interdisciplinary PhD in history, political studies and sociology.

During the apartheid era he was jailed for his activities as an ANC underground operative, as described in this re-issued edition. His other titles include The ANC Underground (2008) and Recovering Democracy in South Africa (2015), both published by Jacana Media.
 

Suttner recently was a guest on Shafiq Morton’s Drivetime show. Listen to their conversation:

 

First published by Oceanbooks, New York and Melbourne, and University of Natal Press, Pietermaritzburg, in 2001, Inside Apartheid’s Prison was shortlisted for the Sunday Times Alan Paton award in 2002.

In the public imagination the struggle that saw the end of apartheid and inauguration of a democratic South Africa is seen as one waged by black people who were often imprisoned or killed for their efforts. Raymond Suttner, an academic, is one of a small group of white South Africans who was imprisoned for his efforts to overthrow the apartheid regime. He was first arrested in 1975 and tortured with electric shocks because he refused to supply information to the police. He then served eight years for underground activities for the African National Congress (ANC) and South African Communist Party (SACP).

After his release in 1983, he returned to the struggle and was forced to go underground to evade arrest, but was re-detained in 1986 for 27 months; 18 of these being spent in solitary confinement.

In the last months of this detention Suttner was allowed to have a pet lovebird, which he tamed and used to keep inside his tracksuit. When he was eventually released from detention in September 1988 the bird was on his shoulder.

Suttner was held under stringent house arrest conditions, imposed to impede further political activities. He however defied his house arrest restrictions and attended an Organisation for African Unity meeting in Harare, where he remained for five months. Shortly after his return to SA, when he anticipated being re-arrested, the state of emergency was lifted and the ANC and other banned organisations were unbanned.

The book describes Suttner’s experience of prison in a low-key, unromantic voice, providing the texture of prison life. This ‘struggle memoir’ is also intensely personal, as Suttner is not averse to admitting his fears and anxieties.

The new edition contains an afterword where Suttner describes his break with the ANC and SACP. But he argues that the reasons for his rupturing this connection that had been so important to his life were the same ethical reasons that had led him to join in the first place. He remains convinced that what he did was right and continues to act in accordance with those convictions.

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Launch: New Times by Rehana Rossouw (22 November)

From the acclaimed and award-winning author of What Will People Say? Rehana Rossouw takes us into a world seemingly filled with promise yet bedevilled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times.

Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy’s politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Her friend Lizo works in the Presidency, controls access to Madiba’s ear. Another friend, Munier, is beating at the gates of Parliament, demanding attention for the plague stalking the land.

Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. The Rugby World Cup starts and tourists pour up the slopes above the city, discovering a hidden gem their dollars can afford.

Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, can she break free?

Told with Rehana’s trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.

Rehana Rossouw was born and rooted in Cape Town, but is currently in self-imposed exile in Johannesburg. She has been a journalist for three decades and has also taught journalism and creative writing. She has a Master’s in Creative Writing from Wits University.

Event Details

  • Date: Wednesday, 22 November 2017
  • Time: 6:00 PM for 6:30 PM
  • Venue: Love Books, The Bamboo Lifestyle Centre, 53 Rustenburg Rd, Melville, Johannesburg | Map
  • Guest Speaker: Heather Robertson
  • RSVP: Savannah Lucas, rsvp@jacana.co.za
     

    Book Details

Zapiro’s back. His target? 2017, aka the year of Juju’s reboot, Zille’s tweets, and a certain shebeen in Saxonwold…

No little thorn in the flesh or irritating fly in the ointment, Zapiro just cannot be ignored.

It’s been one helluva year. We’ve held our breath thinking Zuma may resign. We’ve seen Juju re-booted and Zille tweeted out. Racial tensions rise, tempers and fires flare. Still the rich get richer and the poor get Khayelitsha.

We’ve seen Trump’s megalomania, Bell Pottinger’s spin and Pravin’s fightback, cadres captured and Cabinet’s relocation to Saxonwold Shebeen.

GuptaLeaks threaten to drown us and as the flood rises the rodents scatter.

And who better to make sense of this than Zapiro, political analyst, cartoonist and agent provocateur.

He has the ability to knock the air out of us, to rock us back in our seats, to force us bolt upright with a 1000-watt jolt of electrifying shock. He makes us angry, he makes us laugh and he makes us think. He shines a light on the elephant in the room, presents the emperor in all his naked glory. Impossible to brush off, he is determined to provoke a response.

When all around is crumbling, when fake news and zipped lips conceal the truth, Zapiro comes to the rescue. With the dissecting eye of a surgeon, the rapier-like point of his pen exposes flimflam, and reveals with a line what lies behind the action.

Zapiro is Jonathan Shapiro. Born in 1958, he went through architecture at UCT, conscription, activism, detention and a Fulbright scholarship to New York before establishing himself as South Africa’s best-known cartoonist. He has been the editorial cartoonist for the Sunday Times since 1998 and Daily Maverick starting 2017. Previously he was editorial cartoonist for Mail & Guardian and for The Times. He was also editorial cartoonist for Sowetan and Independent Newspapers. He has published 21 best-selling annuals as well as The Mandela Files, VuvuzelaNation (a collection of his sporting cartoons) and DemoCrazy (his cartoon collection on SA’s 20-year trip.)

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Cape Town launch: A Simple Man by Ronnie Kasrils (13 November)

A Simple Man

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“Comrades, I want to address aspects about Jacob Zuma” – an excerpt from Ronnie Kasrils’s A Simple Man

A Simple ManRonnie Kasrils’s insights into Jacob Zuma in A Simple Man, both shocking and revelatory, are vividly illuminated through this story, from their shared history in the underground to Kasrils’s time as minister of intelligence and his views on South Africa now. Our understanding of Zuma the struggle hero, now perceived as having sold his soul to the devil, becomes clearer through this narrative.

This fast-paced, thriller-style memoir outlines the tumultuous years that saw Mbeki’s overthrow and replacement by Zuma, Nkandlagate, the growing militarisation of the police and the Marikana Massacre, the outrageous appointment of flunkies to high office, the ‘state capture’ report and his relationship with the Guptas. We relive the Schabir Shaik corruption trial, Kasrils’s relationship with Fezeka Kuzwayo (Khwezi), Zuma’s rape trial accuser, the email and spy tapes saga, conspiracy and betrayal.

‘Yes, comrade President, I think Russia will stand by Iran,’ I was mouthing, though my thoughts were mesmerised by the swinging pendulum. The fifteen-minute chime. The clock needed oiling. A big gulp of the amber fluid. Aziz was rattling on. Mbeki was thoughtful. The man was oblivious to the passing of time … nine interminable minutes more and his presidency would be over.

‘Uncle Ronnie, Jacob Zuma has raped me,’ was the call I received on my mobile phone. The woman added, ‘This is Fezeka.’ My body geared to the shock as though someone was pointing a gun at me: blood ran cold, neck hairs prickled, throat turned dry, mind strove to focus.

While Kasrils explains the enigmatic contradictions of Jacob Zuma, he also explains that corruption and the abuse of power does not begin with Zuma. His story points to the compromised negotiations of the 1990s, which he refers to as a ‘Faustian Pact’. This is a story told from the inside, and after reading it, you will understand not only the many machinations of power, but also how one man’s struggle for the truth can have such an impact on the political outcomes of the nation.

Ronnie Kasrils is author of the best-selling memoir Armed and Dangerous, which has been translated into German, Russian and Spanish and the Alan Paton Award-winning The Unlikely Secret Agent, which has been translated into French. A commander in Umkhonto weSizwe from its inception in 1961 until 1990, he served in government from 1994 to his resignation as minister for intelligence in 2008. He describes himself as a social activist and lives in Johannesburg.

The following extract was published by The Daily Maverick on nine November:

We had gathered at Party headquarters in downtown Johannesburg for a regular executive committee meeting but since insufficient members had turned up the gathering was postponed. While we chatted over coffee, I suggested that instead of dispersing, we discuss the situation that had arisen over Mbeki’s recent dismissal of Zuma as the country’s deputy president on 14 June 2005.

The disgraced Zuma, who had never disagreed with Mbeki’s policies, raised the spectre of a conspiracy against him hatched by “counter-revolutionaries”, and his supporters seized that idea with alacrity. Those in the SACP and Cosatu opposed Mbeki on ideological grounds, and although some had personal reasons too, I did not lump them into the same group as those I characterise as crony capitalists. The fact that the SACP supported Zuma spoke volumes about the extent to which he had succeeded in exploiting their antagonisms to Mbeki and their belief that he was a suitable man for the left and for the country. The situation was ugly and fraught with unforeseen consequences.

I studied the group of battle-hardened comrades with whom I had worked for several years to change South Africa and the world. Foremost among them were the Party general secretary, the feisty Blade Nzimande; the chairperson, Gwede Mantashe, a weather-beaten former mineworkers’ leader who did not mince his words; and the gently spoken poet and ideologue, Jeremy Cronin, whom I had once trained in London for underground work. As I was not just a comrade, the old “ANC Khumalo” and MK veteran, but an Mbeki appointee and the intelligence minister at that, I could feel sure that despite obvious respect they showed me, there was an element of doubt about my motives.

“Comrades, let’s be perfectly open with one another,” I requested. “I’m going to open my chest, and although this discussion should be confidential, if what I say gets to Zuma, I couldn’t care less.”

I had eyeballed the secretary of the Young Communist League (YCL), Buti Manamela, an up-and-coming youth leader who was pro-Zuma, and wondered just how far he would be swallowed by personal ambition. The Cosatu president, the heavily bearded Willie Madisha, shuffled perceptibly and looked down. I guessed he was unhappy with the growing adulation of Zuma and was in the process of falling out with Blade, who had a tight grip on the party.

“Comrades,” I continued, “I want to address aspects about Jacob Zuma, such as tribalism; the question of morality; the fact that he is no working-class hero; and the issue of conspiracy and security.”

Blade nodded with puckered mouth, beckoning me to proceed. Outside, the city hummed under a bright winter sky. Through our upper-floor windows we had a commanding view of downtown Johannesburg’s skyline: skyscrapers, mining houses and financial centres long past their glory days. The capitalist values that once had their fountainhead in the City of Gold had taken flight to the new capital of Mammon – the gleaming towers of Sandton City on Johannesburg’s northern edge. I wondered whether we communists could adjust to the times.

Continue reading here.

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“Zuma is symbolic of the rottenness of this country” – Ronnie Kasrils at the launch of A Simple Man

“Why did you decide to include the subtitle?” An audience member asked towards the end of the launch of Ronnie Kasrils’s A Simple Man: Kasrils and the Zuma Enigma on the second of November.

The answer is simple:

Was Jacob Zuma truly this ‘simple man’ people are making him out to be? A working-class hero (in the most simplistic sense); or someone with ulterior motives, who succumbed to the allure of power? Kasrils’s memoir explores their shared history in exile, and covers his years as minister of intelligence, the overthrowing of Mbeki, and his current views on the state of affairs in contemporary South Africa.

Kasrils’s initial impression of Zuma, upon meeting during their years of exile in the 1980s, is far removed from the one he presently holds; he remembers Zuma as an engaging, pleasant man; “a well-dressed activist”. The cover image of the book has managed to elicit response – the smiling, young man (with a substantial amount of hair…) can be regarded as the antithesis of the corrupt figurehead we call our president.

It is precisely the flawed nature of Zuma which encouraged him to write the book; to question whether he truly is/was the ‘simple man of the people’.

“Where cometh the flaws?”

Kasrils is intrigued by the nature of flaws, and does not believe that one is born flawless. In A Simple Man he attempts to gauge how Zuma’s flaws went unnoticed, and what led to his demise as an immoral, corrupt politician. Could it be that he was a ‘great guy who fell from grace?’ Or was he corrupted by the allure of money and power?

A continuous theme of A Simple Man is Kasrils’s concern of how South Africa came to be a country in dire straits, with Zuma’s role of the demise of the country explicitly stated. “I want to explain to people who this is man is and how we came to be where we currently are.”

Kasrils mentioned Jacques Pauw’s recently published The President’s Keepers: Those Keeping Zuma in Power and out of Prison (Tafelberg, 2017), lauding Pauw for writing a book set in the “now”, adding that Zuma is “symbolic of the rottenness of this country.”

In keeping with the subject matter of Pauw’s book, Kasrils declared that Zuma is made powerful by “his cronies and flunkies; this is a country entrenched in corruption.”

Despite outright declaring Zuma as a corrupt human, Kasrils does not believe in John Acton’s axiom that “absolute power corrupts absolutely”; according to Kasrils power reflects character. And, no, ‘power’ does not only apply to those ‘in power’ (eg. heads of states, CEOs, etc.) It can even be something as simple as your relationship with your domestic worker, he stated.

Zuma’s abuse and disgusting misappropriation of power was evident during his rape trial in 2005. When Kasrils received a phone call from Fezeka Kuzwayo (Khwezi) – who both he and Zuma helped protect in her parents home during their years of exile in Swaziland – telling him “Uncle Ronnie, Jacob Zuma has raped me”, Kasrils described Zuma’s defense as “utterly sordid”. His chauvinistic nature was exposed, and he took “so much away from this young woman, deeply disturbed by the events.”

“It was a glaring example of this man who showed himself to be a predatory monster – and more.”

Another element of Kasrils’s book, other than revealing the true nature of Zuma, is what he calls the Faustian Pact. Referring to Goethe’s tragic play in which his protagonist, Faust, sells his soul to the devil, Kasrils appropriates this classic tale — Zuma is the ‘protagonist’ who sells his soul to the devil(s): the Guptas.

The book does end on a positive note! Kasrils promises.

“Fundamental change is possible.

“Mass involvement between all South Africans managed to overthrow apartheid,” Kasrils said, and he believes that the inequalities currently experienced in the country can be eliminated. Unlike the Faustian Pact between Zuma and the Guptas, Kasrils firmly believes in the ‘People’s Pact’: a pact between South African citizens which gets into the roots of society, and is based on the ideals of eliminating illiteracy, uplifting our management of resources, and embedded in including the 60% of the population who live in abject poverty.

Viva, the People’s Pact, viva.

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#SaveOurStories: Storied’s crowdfunding campaign goes live tonight!

Jacana Publishing presents Storied. The project aims to create a long-term impact of keeping African stories thriving and reaching worldwide audiences. Through your investment, Storied will raise the money to help publish more African fiction and poetry which will cater for a diverse reading community and audience scaling up sales margins which will be shared with investors.

As Jacana Media publisher, Bridget Impey, explains:

We came up with this idea of Storied, and Storied is going to be the mechanism for changing fiction publishing in this country; not just for us, but for writers, for other publishers, for everybody.

This is what started it all…
 


 

Sarah-Jayne King discusses Killing Karoline on Amabookabooka

Killing Karoline deals with important topical issues relating to adoption, identity, race, mental health and addiction.

Born Karoline King in 1980 in Johannesburg South Africa, Sara-Jayne (as she will later be called by her adoptive parents) is the result of an affair, illegal under apartheid’s Immorality Act, between a white British woman and a black South African man. Her story reveals the shocking lie created to cover up the forbidden relationship, and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes.

Killing Karoline follows the journey of the baby girl (categorised as ‘white’ under South Africa’s race classification system) who is raised in a leafy, middle-class corner of the South of England by a white couple. It takes the reader through her formative years, a difficult adolescence and into adulthood, as Sara-Jayne (Karoline) seeks to discover who she is and where she came from.

Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne begins to turn on herself. She eventually returns to South Africa, after 26 years, to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined. She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old returns from the dead.

Sara-Jayne King is a mixed-race South African/British journalist and radio presenter whose career spans over a decade and has taken her across the globe in search of remarkable stories and fascinating characters. While studying for an LLB degree in the UK, Sara-Jayne realised her passion lay elsewhere and, after graduating, she went on to complete a Master’s in Journalism in 2004. Her career began as a junior journalist in local radio in London and since then has included roles in the Middle East and Africa, most recently as a senior editor for news channel eNCA and presenter for Primedia’s talk radio station Cape Talk.

Listen to Sarah-Jayne and Jonathan Ancer’s recent Amabookabooka interview here:

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Celebrating black female writers (21 October)

Join Xarra Books this Saturday, 21 October for a day dedicated to celebrating young black female writers. Lorraine Sithole will chair the discussion.

Launch: If I Stay Right Here by Chwayita Ngamlana (18 October)

What is Sex? Sex is a humid climate. What is Desire? Desire is snow. What is Loneliness? Loneliness is a badger trying to figure out why it looks different to an otter. What is Obsession?Obsession is trying to fix a broken chair without realising that the chair is just bent at the knees and that’s how it was born. What is a Dyke? A dyke is an intricate, indecipherable encryption.

Chwayita Ngamlana, in her electric debut book, explores the above questions through her characters as they struggle through the volatility of love, the danger of not knowing themselves and
discovering their voice in the world.

The story follows the characters, Shay and Sip, who are very different in class, style, character and education. Shay is a journalism student working part time as an intern on a site that has no clear sense of direction. Sip is an unemployed varsity drop out and ex-gang member.

Their vastly different lives make it challenging for them to be the kind of couple they so desperately want to be. Unable to get themselves untangled from the web they’ve created, Shay and Sip use money, other people and sex to fix things, but is this enough?

Ngamlama has created a world that is somewhere between the present day and a sub-world of delusion. The reader will want to watch both story and characters unravel. This book will touch anyone who has lost themselves or their loved ones to unhealthy, destructive relationships.

Chwayita Ngamlana was born and raised in Grahamstown. She is an only child who found comfort and companionship in reading and writing from the age of 10. She has a degree in music and has her master’s in Creative Writing. This is her debut novel – and it won’t be the last.
 

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