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Archive for December, 2016

Zapiro launches his new book Dead President Walking at The Market Theatre

Dead President Walking

 
Jonathan Shapiro, the cartoonist popularly known as Zapiro, launched his new book, Dead President Walking, at the John Kani Theatre at the Market Theatre in Newtown, Johannesburg recently.

 

The book could have been titled “Buy the Beloved Country” in reference to Alan Paton’s Cry, the Beloved Country and the alleged Gupta influence on national issues, Shapiro said.

But because the state capture report had been the biggest story of the year, with potential to ultimately topple Jacob Zuma, Shapiro had decided to focus on the president instead. And while the African National Congress (ANC) at times criticised itself, Shapiro said the party finds it difficult to deal with ridicule and differing opinions.

Shapiro produced a few giggles from the audience when he presented his most provocative cartoons, which he accompanied with sometimes cutting commentary.

Former president Thabo Mbeki was “Mr Paranoid”. His successor, Zuma, “Mr Complete Idiot”. University activist, Chumani Maxwele, “an interesting guy, but a bit psychotic”. Hlaudi Motsoeneng, now head of Corporate Affairs at the SABC “thinks he’s God”.

 

Another public figure to have been subjected to Shapiro’s ridicule is Chief Justice Mogoeng Mogoeng. While the pair have sorted out their differences, Shapiro believes Dikgang Moseneke, the former Deputy Chief Justice, would have made a better Chief Justice.

Asked whether he didn’t find his work hurtful to targets, invading their privacy, Shapiro said that because they are public figures, “I absolutely don’t care.”

 

Zuma has sued Shapiro in the past, but Shapiro stands by work – no matter how offensive. He did however single out a cartoon that “brought him grief”. The cartoon depicted Shaun Abrahams as a monkey and Zuma an organ grinder.

Black people had been offended and called him racist, he said. But people who subscribed to this view had selective memory, Shapiro insists, as his work has depicted and ridiculed those who stepped out of line regardless of race.

 

“The real racists are out there,” he said, adding that it was unfair to be compared to Penny Sparrow, a former estate agent who came under fire for describing black people as monkeys earlier in the year.

Themba Siwela, cartoonist with the Citizen newspaper, found nothing wrong with the cartoon. But Shapiro could have looked at the “timing” before publishing, Siwela believes.

Shapiro said cartoonists have an important role to play in any democracy, and that South Africa is one of the countries in the world that has made an impact with its cartoons.

“We put a lot of pressure on someone who is stepping out of line.”

 

Elections produce rich material for cartoonists, Shapiro said: “Local government elections are hot stuff.”

In one “hot” cartoon, Shapiro shows Motsoeneng approving good news footage and ignoring violent protests. But Shapiro condemns destructive protests, and believes it is counterproductive to burn things.

On last year’s statue demolitions, Shapiro said the statues had no right to be in prominent sites: “Why the hell should they be in our urban spaces?”

 

Zapiro also revealed his naughty side – a side his editors and lawyers have to put up with when dealing with him. “There’s a certain adrenaline fighting editors and lawyers,” he grinned.

Deadlines were a pain, he said, commenting that sometimes his cartoons would be late or just in time for publication.

Dead President Walking is Zuma’s 21st annual; “A remarkable feat for anyone to achieve,” Jacana, his publisher, said.

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Announcing the shortlist for the 2016 Gerald Kraak Award for African writers and artists

 
The Jacana Literary Foundation and The Other Foundation have announced the African writers and artists shortlisted for the inaugural Gerald Kraak Award.

Drawn from a range of African countries, these written and photographic pieces on the topics of gender, human rights and sexuality on our continent represent a new wave of fresh storytelling.

The shortlist will comprise the resultant anthology, titled Pride and Prejudice, which will be published and distributed by Jacana Media and its project partners across Africa in May 2017.

Judges Sisonke Msimang (chair), Eusebius McKaiser and Sylvia Tamale reviewed close on 400 anonymous individual entries over the past four months in order to select the 14 pieces for the shortlist.

Msimang says:

In the current political environment, we are hopeful that expressions like the ones we have chosen – that do not shy away from pain but that are also deeply inventive – find their way into the public consciousness. We think Gerald Kraak would have smiled at a number of these entries, and above all, we have aimed to stay true to his love of fearless writing and support of courageous and grounded activism.

In alphabetical order by surname, here are the shortlisted authors and entries, and short judges’ notes:

  • Poached Eggs by Farah Ahamed (Fiction, Kenya)

A subtle, slow and careful rendering of the everyday rhythms of domestic terror that pays homage to the long history of women’s resistance; yet with wit and humour and grit, the story also sings of freedom, of resistance and the desire to be unbound.

  • A Place of Greater Safety by Beyers de Vos (Journalism, South Africa)

Covers, with empathy and real curiosity and knowledge, underground issues that are seldom discussed in the South African LGBT+ movement – homelessness, poverty, as well as attraction and violence.

  • Midnight in Lusikisiki or The Ruin of the Gentlewomen by Sindiswa Busuku-Mathese (Poetry, South Africa)

This poem hums with sadness and sings with anger. It is full of the sort of melancholy that marks the passing of something very important. It provides an opportunity to connect the themes of gender this collection takes so seriously, with issues of poverty and political corruption.

  • Two Weddings for Amoit by Dilman Dila (Fiction, Uganda)

A fresh piece of sci-fi, written in a clear and bright way, that surprisingly draws on covert and subversive love.

  • Albus by Justin Dingwall (Photography, South Africa)

The choice of exquisitely beautiful high-fashion models to represent people with albinism – who are so often depicted as unattractive, as others – is just breath-taking. It makes its point and leaves you wanting more.

  • For Men Who Care by Amatesiro Dore (Fiction, Nigeria)

A complex and thoughtful insight into a part of elite Nigerian life, as well as the ways in which buying into certain brands of patriarchy can be so deeply damaging – and have direct and unavoidable consequences.

  • Resurrection by Tania Haberland (Poetry, Mauritius)

An erotic poem that is powerful in its simple celebration of the clit.

  • Intertwined Odyssey by Julia Hango (Photography, South Africa)

A solid and thought-provoking collection. The range of poses force questions about power. The photos make the lovers (or are they fighters?) equal in their nakedness and in their embodiment of discomfort.

  • Dean’s Bed by Dean Hutton (Photography, South Africa)

An important contribution to conversations about bisexuality, attraction, age and race.

  • On Coming Out by Lee Mokobe (Poetry, South Africa)

Literal and lyrical, this powerful poem draws one in through its style and accessibility.

  • You Sing of a Longing by Otosirieze Obi-Young (Fiction, Nigeria)

A thoroughly modern epic but with bones as old as time. This is a story of love and betrayal and madness and music that is all the more beautiful for its plainspoken poignancy. Yet there is prose in here that steals your breath away.

  • The Conversation by Olakunle Ologunro (Fiction, Nigeria)

Provides valuable insight into issues of intimate partner violence, family acceptance and the complexity of gender roles in many modern African contexts.

  • One More Nation Bound in Freedom by Ayodele Sogunro (Academic, Nigeria)

An informative piece that gives a crisp and “objective” voice to the many themes that cut across this anthology.

  • Stranger in a Familiar Land by Sarah Waiswa (Photography, Kenya)

This collection of photos showcases the best of African storytelling. The images take risks, and speak to danger and subversion. At the same time they are deeply rooted in places that are familiar to urban Africans. The woman in this collection is a stand-in for all of us.

The winner, who receives a cash prize, will be announced at an award ceremony in May 2017, hosted by The Other Foundation and attended by the authors of the top three submissions as well as the judging panel and project partners.

For more information visit www.jacana.co.za or email awards@jacana.co.za.

This project is made possible in partnership with The Other Foundation: www.theotherfoundation.org.

 

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