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Archive for the ‘Awards’ Category

Farah Ahamed and Sarah Waiswa joint winners of Gerald Kraak 2017 Award

Gerald Kraak

 

Sarah Waiswa and Farah Ahamed

 
The Other Foundation and the Jacana Literary Foundation recently hosted the presentation of the inaugural Gerald Kraak Prize and the launch of Pride and Prejudice: the Gerald Kraak Anthology of African Perspectives on Gender, Social Justice, and Sexuality, at Hyde Park’s Exclusive Books’ Social Kitchen and Bar.

The MC for the evening, Kojo Baffoe, proclaimed that “tonight is about celebrating Gerald Kraak’s legacy.”

Pride and Prejudice is a collection of the short-listed entries to the inaugural award, named after Gerald Kraak (1956–2014), who was a passionate champion of social justice and an anti-apartheid activist.

“This book is a shelter, a place where slums are not art, they are simply where we live. It’s a place where albinos are not unicorns, they are only beautiful and ordinary. And it’s a place where gays are pained and also completely conventional. In this book, strange choppers fly and Africa is a landscape not simply for the past but for projections of the future,” says Sisonke Msimang, Editor in Chief and Head Judge.

The Gerald Kraak Award is a joint initiative between The Other Foundation and the Jacana Literary Foundation.

A judging panel made up of distinguished gender activist Sisonke Msimang, prominent social and political analyst Eusebius McKaiser and leading African feminist Sylvia Tamale selected thirteen finalists.

“The stories in the anthology fight for what is just and right,” Baffoe asserted.

Research co-coordinator for The Other Foundation, Samuel Shapiro, announced that Pride and Prejudice is the first of five anthologies to come about celebrating the LGBTQI community in Africa.

After the attendees were treated to a performance by Danielle Bowler, Msimang delivered a televised message to all the entrants, lauding them for their creativity and “bad-ass” approach to discussing gender and sexuality in Africa.

Matele announced the joint winners for the anthology: Farah Ahamed (Fiction, Kenya) for her short story “Poached Eggs” and Sarah Waisman (Photography, Kenya) for her photo series “Stranger in a Familiar Land.”

“Poached Eggs” is described as a subtle, slow and careful rendering of the everyday rhythms of domestic terror that pays homage to the long history of women’s resistance; yet with wit and humour and grit, the story also sings of freedom, of resistance and the desire to be unbound.

“Stranger in a Familiar Land” showcases the best of African storytelling. The images take risks, and speak to danger and subversion. At the same time they are deeply rooted in places that are familiar to urban Africans. The woman in this collection is a stand-in for all of us.

All 13 entries which were shortlisted will be published in the anthology. The overall winner will receive a cash prize of R25 000.


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Fiction Friday: read an extract from Rehana Rossouw’s award-winning novel What Will People Say?

Novelist Rehana Rossouw was the 2017 recipient of a Humanities and Social Sciences Award, hosted by the National Institute for the Humanities and Social Sciences, in the category single-authored fiction for her debut novel What Will People Say?

Read an extract from Rossouw’s acclaimed novel about the Fouries – a family living in the heart of the Cape Flats at the height of the struggle era – here:

Kevin was waiting at the school gate when Nicky and Shirley strolled out arm in arm at the end of the school day. He stepped forward as they came near. “Greetings ladies, can I escort you today?”

Shirley giggled. “Of course you can, right Nicky?”

Nicky didn’t want Kevin walking with them. He was only after one thing. She hadn’t gone to the SRC meeting at second break; she was too busy sukkeling with Shirley’s problem. She still hadn’t found a solution. As she expected, it didn’t take long – two steps out of the gate and Kevin started on her.

“So Nicky, I was expecting to see you in the meeting this afternoon. There’s work to be done. We planning to bring the country to a stand still for the tenth anniversary of the ’76 uprising.”

Thick, dark irritation filled her face. What must she do to get Kevin to leave her alone? Nicky didn’t want him to escort her anywhere. She wanted to be alone with Shirley; she was planning on going home with her. Shirley shouldn’t be alone on a kak day like this. “I had other things on my mind, okay?”

“What can be more important than the struggle?”

Nicky stopped and planted her fists in her hips, staring daggers at Kevin. “A lot, you idiot. Shirley, for an example. She’s much more important than your blerrie struggle. She got a big problem. Her mother wants her to leave school and go work in the factory with her.”

Kevin turned to Shirley, his face squeezed up like a lemon. “You’ll be a semi-skilled worker fed to the machine to become another alienated unit of capitalist labour.”

Nicky felt like her head was about to burst open like a dropped watermelon, the irritation was so thick. No one could get to her like Kevin. “Speak English Kevin! This isn’t time for a political speech. Shirley needs help. She’s not an issue. She’s only sixteen and she must go work to feed her brothers. You such a blerrie fool!”

Kevin looked like a foster child on his way back to the orphanage.

“Of course I think that’s really kak, Nicky! There must be a way out. We must strategise, see what we can come up with.”

Shirley smiled at him. “You think you can see a way out of it?”

Kevin gave a couple of firm nods. “Let me think on it for a while. As Lenin would say: What is to be done? That’s what we must figure out.”

Nicky stared at their backs as Shirley and Kevin walked away without her. That boy had a nerve! Didn’t he see he wasn’t wanted?

She was going to come up with a solution for Shirley’s problem. They didn’t need him. Why was Shirley hanging onto his words like he was her saviour? She rushed to catch up with them.

The girls’ route home took them past the taxi rank at the Hanover Park Town Centre. The rank fed routes into town, Claremont, Wynberg and Mitchells Plain. Gaartjies shouted out destinations and ushered people into revving sixteen-seaters; pushing flesh and parcels inside as they slid the doors shut.

Nicky, Shirley and Kevin wove their way along the pavement between people streaming to the rank and the hawkers lining the sides. Most were selling vegetables, but there were also stalls with tinned goods, bags of bright orange chips and loose cigarettes. A bakkie blocked the pavement, its back piled high with snoek. A plump man covered with a red-stained, yellow plastic apron gutted and beheaded his silver, toothy catch while customers waited. The fish was wrapped in newspaper and exchanged for a five-rand note. Nicky could smell the sea on the bakkie as she walked past.

Continue reading at thisisaerodrome.com.
 

What Will People Say

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Submissions for Dinaane Debut Fiction Award open

Jacana Media recently announced that submissions for the Dinaane Debut Fiction Award will open on the first of April.

Celebrating thirteen years of producing unparalleled South African literary talent, the Dinaane Debut Fiction Award is the perfect opportunity for any aspiring fiction writer to contribute to South African conversations.

Previous Dinaane winners include Andrew Miller (Dub Steps), Penny Busetto (The Story of Anna P, as Told by Herself), Ashraf Kagee (Khalil’s Journey), James Clelland (Deeper Than Colour), Zinaid Meeran (Saracen at the Gates), Megan Voysey-Braig (Till We Can Keep an Animal), Kopano Matlwa (Coconut), Fred Khumalo (Bitches’ Brew), Gerald Kraak (Ice in the Lungs), and Ishtiyaq Shukri (The Silent Minaret). Tammy Baikie was the recipient of the award in 2016 for her novel, Selling LipService. The book will be published in May 2017.

Coverage aside, the overall winner will be awarded R35 000, be published by Jacana Media and join Exclusive Books’ Homebru campaign.

Submissions will be open from 1 April 2017 to 31 May 2017. Enquiries can be directed to awards@jacana.co.za.

Visit Jacana’s website for more information on the award.

Dub Steps

Book details

 

The Story of Anna P, as Told by Herself

 
 

Khalil's Journey

 
 

Deeper Than Colour

 
 

Saracen at the Gates

 
 
 

Till We Can Keep An Animal

 
 

Coconut

 
 

Bitches' Brew

 
 

Ice in the Lungs

 
 
 

The Silent Minaret


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Announcing the shortlist for the 2016 Gerald Kraak Award for African writers and artists

 
The Jacana Literary Foundation and The Other Foundation have announced the African writers and artists shortlisted for the inaugural Gerald Kraak Award.

Drawn from a range of African countries, these written and photographic pieces on the topics of gender, human rights and sexuality on our continent represent a new wave of fresh storytelling.

The shortlist will comprise the resultant anthology, titled Pride and Prejudice, which will be published and distributed by Jacana Media and its project partners across Africa in May 2017.

Judges Sisonke Msimang (chair), Eusebius McKaiser and Sylvia Tamale reviewed close on 400 anonymous individual entries over the past four months in order to select the 14 pieces for the shortlist.

Msimang says:

In the current political environment, we are hopeful that expressions like the ones we have chosen – that do not shy away from pain but that are also deeply inventive – find their way into the public consciousness. We think Gerald Kraak would have smiled at a number of these entries, and above all, we have aimed to stay true to his love of fearless writing and support of courageous and grounded activism.

In alphabetical order by surname, here are the shortlisted authors and entries, and short judges’ notes:

  • Poached Eggs by Farah Ahamed (Fiction, Kenya)

A subtle, slow and careful rendering of the everyday rhythms of domestic terror that pays homage to the long history of women’s resistance; yet with wit and humour and grit, the story also sings of freedom, of resistance and the desire to be unbound.

  • A Place of Greater Safety by Beyers de Vos (Journalism, South Africa)

Covers, with empathy and real curiosity and knowledge, underground issues that are seldom discussed in the South African LGBT+ movement – homelessness, poverty, as well as attraction and violence.

  • Midnight in Lusikisiki or The Ruin of the Gentlewomen by Sindiswa Busuku-Mathese (Poetry, South Africa)

This poem hums with sadness and sings with anger. It is full of the sort of melancholy that marks the passing of something very important. It provides an opportunity to connect the themes of gender this collection takes so seriously, with issues of poverty and political corruption.

  • Two Weddings for Amoit by Dilman Dila (Fiction, Uganda)

A fresh piece of sci-fi, written in a clear and bright way, that surprisingly draws on covert and subversive love.

  • Albus by Justin Dingwall (Photography, South Africa)

The choice of exquisitely beautiful high-fashion models to represent people with albinism – who are so often depicted as unattractive, as others – is just breath-taking. It makes its point and leaves you wanting more.

  • For Men Who Care by Amatesiro Dore (Fiction, Nigeria)

A complex and thoughtful insight into a part of elite Nigerian life, as well as the ways in which buying into certain brands of patriarchy can be so deeply damaging – and have direct and unavoidable consequences.

  • Resurrection by Tania Haberland (Poetry, Mauritius)

An erotic poem that is powerful in its simple celebration of the clit.

  • Intertwined Odyssey by Julia Hango (Photography, South Africa)

A solid and thought-provoking collection. The range of poses force questions about power. The photos make the lovers (or are they fighters?) equal in their nakedness and in their embodiment of discomfort.

  • Dean’s Bed by Dean Hutton (Photography, South Africa)

An important contribution to conversations about bisexuality, attraction, age and race.

  • On Coming Out by Lee Mokobe (Poetry, South Africa)

Literal and lyrical, this powerful poem draws one in through its style and accessibility.

  • You Sing of a Longing by Otosirieze Obi-Young (Fiction, Nigeria)

A thoroughly modern epic but with bones as old as time. This is a story of love and betrayal and madness and music that is all the more beautiful for its plainspoken poignancy. Yet there is prose in here that steals your breath away.

  • The Conversation by Olakunle Ologunro (Fiction, Nigeria)

Provides valuable insight into issues of intimate partner violence, family acceptance and the complexity of gender roles in many modern African contexts.

  • One More Nation Bound in Freedom by Ayodele Sogunro (Academic, Nigeria)

An informative piece that gives a crisp and “objective” voice to the many themes that cut across this anthology.

  • Stranger in a Familiar Land by Sarah Waiswa (Photography, Kenya)

This collection of photos showcases the best of African storytelling. The images take risks, and speak to danger and subversion. At the same time they are deeply rooted in places that are familiar to urban Africans. The woman in this collection is a stand-in for all of us.

The winner, who receives a cash prize, will be announced at an award ceremony in May 2017, hosted by The Other Foundation and attended by the authors of the top three submissions as well as the judging panel and project partners.

For more information visit www.jacana.co.za or email awards@jacana.co.za.

This project is made possible in partnership with The Other Foundation: www.theotherfoundation.org.

 

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Panashe Chigumadzi reacts to winning the 2016 K Sello Duiker Memorial Literary Award

Panashe Chigumadzi

 
Sweet MedicineSweet Medicine, the debut novel by Panashe Chigumadzi, won the 2016 South African Literary Awards K Sello Duiker Memorial Literary Award recently.

The winners were announced on 7 November 2016 at a gala dinner at Unisa. Chigumadzi shared her award with Willem Anker, who was honoured for his book Buys.

On receiving the award, Panashe had this to say:

It is deeply affirming whenever you receive external validation for what is most often a solitary and isolating experience. This award in particular is an honour because it bears the name of one of South Africa’s literary greats. Over and above that, as someone with Pan-Africanist ideals, I’m deeply humbled that South African readers were able to find resonance with a story set in Zimbabwe, despite what many prospective publishers had said to me. I’m truly grateful to be a writer who has been allowed the space to bring all of herself and her experiences and to have that appreciated by a reading audience.

Sweet Medicine is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: tradition and modernity,
feminism and patriarchy, spiritual and political freedoms and responsibilities, poverty and desperation, and wealth and abundance.

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The 2016 Dinaane Debut Fiction Award and Kraak Writing Grant winners announced

The 2016 Dinaane Debut Fiction Award and Kraak Writing Grant winners announced

 
The judges’ decision was unanimous: Tammy Baikie has won the 2015/16 Dinaane Debut Fiction Award for her distinctively clever novel, Selling LipService.

Baikie receives a R35 000 cash prize and the publication of her book by Jacana Media, with the title being launched as part of Exclusive Books’ Homebru campaign in June 2017.

Not to be forgotten, runners-up Saul Musker (No Word Like Home) and Thabiso Mofokeng (The Last Stop) both narrowly missed being awarded the accolade for their exceptionally well-written and creative manuscripts. We have no doubt that their work will be picked up for publication, so keep an eye out!

For the first time, the Kraak Writing Grant was also awarded. That went to Andile Cele, author of Braids and Migraines. The grant is valued at R25 000 and dedicated to the memory of Gerald Kraak. It offers the recipient mentoring and intensive coaching from editor, publishing expert and writer Alison Lowry, enabling the author to refine and develop their work still further.

The aim of these awards is to ensure that great southern African fiction continues to be published, by making possible new literature which may otherwise not have come about – not because of its merits, but because of the market forces which constrain us all in the book world. If you entered your manuscript, showed an interest or if you buy these books, you are keeping local fiction alive – the JLF thanks you!

 

The 2016 Dinaane Debut Fiction Award and Kraak Writing Grant winners announced

About the book

In Frith’s consumerist world, everyone has a stroke around the age of 18. After this coming of haemhorr-age, writing and speaking is only possible if you’re wearing LipService transdermal patches. Sponsored by corporations, the language of each patch is scripted by copywriters so that every utterance promotes the brand. For Frith’s mother, who lives and breathes the Frisson Froufrou lingerie brand, nothing could be more natural. But Frith hates everything that comes out of her own mouth.

Frith had hoped to escape the haemorrhage because of her tastures – the sense of taste that accompanies everything she touches – but she hasn’t. Experiencing the world differently has alienated her. But her inability to express herself is all the more galling because she knows language has greater range and potential than limiting LipService. Her father worked as the custodian at the book repository – where printed literature written before the branding of all narratives is quarantined. There, Frith read books that haven’t been available to the public in decades. On her father’s death, he secretly leaves her a volume of the stories they both love.

Desperate to articulate her identity as distinct from any product, Frith experiments with pushing the limits of LipService and developing her tastures. But other elements of this consumerist society are equally interested in them for commercial gain.

About the author

Tammy Baikie is a translator who qualified with French and German as source languages and who dabbles in Russian. After four years living and working in Germany, she returned home to South Africa and dreaming in English. Her translation career has continued here with advertising copy and communications as her field of specialisation. Tammy has attended the SUISS summer writing programme in Edinburgh and recently submitted her MA in Creative Writing. She was longlisted for the 2010/2011 Fish International Short Story Contest.
 

Dub StepsThe Story of Anna P, as Told by HerselfKhalil's JourneyDeeper Than ColourSaracen at the Gates
Till We Can Keep An AnimalCoconutBitches' BrewIce in the LungsThe Silent Minaret

 
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2016 Sol Plaatje European Union Poetry Award announced – a second win for Athol Williams

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Athol Williams has won the Sol Plaatje European Union Poetry Award this year, for the second time, for his poem “Visit at Tea Time”.

Athol WilliamsWilliams is a poet and social philosopher from Cape Town. He is the chairman of Read to Rise, a youth literacy NGO that he co-founded after many years as a business strategy advisor. His poems have been published in anthologies and literary journals in the UK, USA and South Africa and he has published three poetry collections. He is also the author of the Oaky series of inspirational children’s books, and Pushing Boulders, his memoir, was published this month.

 
Williams grew up in Mitchells Plain, Cape Town and has been educated at Oxford, Harvard, MIT, LSE, London Business School and Wits University.

As the winner he receives a cash prize and, for the first time this year, a three-week residency at the NIROX Foundation in the Cradle of Humankind, which includes fully serviced accommodation in a beautiful studio, free full board, and a serene environment in which Athol can focus solely on his craft. We are delighted to be able to add this rare privilege to the award.

The NIROX Foundation was established to foster the arts in their widest sense. Poetry was from inception within our diverse focus, but it is a quiet craft that can often be overshadowed by its popular siblings – the visual and musical arts, for which NIROX is best known. And so it is a great pleasure for the Foundation to make a residency available to the winner of this year’s Sol Plaatje Award. We hope that this is the start of a long association. Athol Williams is a worthy winner. We look forward to the opportunity of working with him amongst our other artists in residence in the coming year.

- The NIROX Foundation

The Sol Plaatje European Union Poetry Anthology 2011The Sol Plaatje European Union Poetry Anthology Vol IIThe Sol Plaatje European Union Poetry Anthology Vol IIIThe Sol Plaatje European Union Poetry Anthology Vol IVThe Sol Plaatje European Union Poetry Anthology

 

The runners-up, who also received cash prizes, are Siphokazi Jonas, in second place for her poem “MamBhele’s Harvest” and Charles Marriott, in third place for his poem “Cape Town”.

The award ceremony took place on Sunday, 9 October, at the Mail & Guardian Literary Festival in Newtown. Senior judge and chairperson of the Jacana Literary Foundation (which administers the competition and publishes the related anthology in partnership with Jacana Media), Professor Mongane Wally Serote, as well as the European Union Ambassador Designate, His Excellency Marcus Cornaro, presented the prizes to the winners during the event. A wonderful poetry performance by longlisted poets Zewande Bhengu, Siphokazi Jonas, B-Lyrical, Thabiso Mohare, Pieter Odendaal and Kori Strange, as part of the 6th Word N Sound International Youth Poetry Festival, kicked off the proceedings.

The Sol Plaatje European Union Poetry Award aims to reveal the political and social attitudes of our time. The annual Award, supported by the European Union, is now in its sixth year. Named after Solomon Tshekisho Plaatje (1876-1932), it recognises the life and vision of this highly respected political and social activist. As in previous years, Volume 6 of the series anthologises the three winning poems (selected by the iconic poet Serote) along with some 90 other longlisted poems in Afrikaans, English, Sepedi, Sesotho, Setswana, isiXhosa and isiZulu and accompanied by English translations where relevant (selected by a jury of three notable South African poets: Goodenough Mashego, Thabiso “Afurakan” Mohare and Pieter Odendaal). The submissions are judged blind.

The anthology was launched at the same event.

 
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2016 Sol Plaatje EU Poetry Award shortlist announced

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The shortlist for the 2016 Sol Plaatje European Union Poetry Award has been revealed.

From the longlist of poems selected by this year’s judging panel for publication in volume 6 of the anthology, Professor Mongane Wally Serote (chair of both the panel and the Jacana Literary Foundation) has selected the three finalists.

The shortlist includes last year’s winner, Athol Williams.

Serote, a Black Consciousness icon, poet and writer, is a renowned member of the Soweto poets – a group which advocated for black literary voices in South Africa during the tumultuous 1970s. His poems of that time speak of the realities of apartheid, and have been invaluable in provoking thought about oppression, as well as capturing the truths of the era.

Similarly, the Sol Plaatje EU Poetry Award aims to reveal the political and social attitudes of our time.

“These South African poets have understood something,” Serote says. “They hold the present by the scruff of the neck and threaten it. If this nation has not revolted, it is evolving to revolt, the poets say. The present cannot hold, the poets keep saying. Like healers, they sing, beat the drums and dance to the rhythm of their tongues.”

In alphabetical order, the 2016 Sol Plaatje European Union Poetry Award shortlist:

  • “Cape Town” by Charles Marriott
  • “Mambhele’s Harvest” by Siphokazi Jonas
  • “Visit at Tea Time” by Athol Williams
The Sol Plaatje European Union Poetry Anthology 2011The Sol Plaatje European Union Poetry Anthology Vol IIThe Sol Plaatje European Union Poetry Anthology Vol IIIThe Sol Plaatje European Union Poetry Anthology Vol IVThe Sol Plaatje European Union Poetry Anthology

 

How these poems have placed and the overall winner will be announced and cash prizes awarded (R6,000 for first place, R4,000 for second place and R2,000 for third place) at an event at the Mail & Guardian Literary Festival on Sunday, 9 October at 11:30 AM.

The Litfest will take place at Sci-Bono in Newtown, Johannesburg, on 8 and 9 October. Tickets are R50 a session, with half-price discounts for students and pensioners (R25 a ticket). Tickets will be on sale at the venue on the day.

There is a significant nod to South African literary history in the Litfest, marking the 140th anniversary of the birth of Solomon Tshekisho Plaatje (1876-1932), the highly respected political and social activist after whom this award is named.

For more information, contact the Jacana Literary Foundation on awards@jacana.co.za.

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Longlist for the Sol Plaatje EU Poetry Award announced

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The longlist for the 2016 Sol Plaatje European Union Poetry Award has been revealed.

The longlisted poems are in a range of South Africa’s official languages, and will all appear in volume six of the Sol Plaatje European Union Poetry Anthology.

They were anonymously selected by judges Goodenough Mashego, Thabiso Mohare and Pieter Odendaal.

Congratulations to all of the poets whose work was nominated!

The Jacana Literary Foundations says:

Each year we are awed by the enthusiasm of South Africa’s poets and your overwhelming support of this project, and would like to extend a heartfelt thank you to everyone who entered their poetry.

The Sol Plaatje European Union Poetry Anthology 2011The Sol Plaatje European Union Poetry Anthology Vol IIThe Sol Plaatje European Union Poetry Anthology Vol IIIThe Sol Plaatje European Union Poetry Anthology Vol IVThe Sol Plaatje European Union Poetry Anthology

 

A shortlist of three poems from this list will be selected by Professor Mongane Wally Serote and announced on 24 September, National Heritage Day. The winner and placing will be revealed at the Mail & Guardian Literary Festival in Johannesburg on 9 October.

Prizes are awarded to the shortlist:

  • 1st place: R6,000
  • 2nd place: R4,000
  • 3rd place: R2,000

 
In alphabetical order by surname, the longlisted poems and poets are:

(*Highly commended)

HOTNOTS-KÁNON, Caroline F. Archer *
BATTLEGROUND, Mutinta Bbenkele *
EDEN’S KNELL, Tanisha Bhana
IN THE MOOD TO MONKEY, Zéwande Bk Bhengu *
KLEEDREPETISIE, Rene Bohnen *
PIPE DREAM, Kathryn Clare Botes
THE THIRST, Dianne Case
TERRA NULLIUS – THE MARIKANA SYMPHONY, Christine Coates
WINTER COLD, Bella (B-Lyrical) Cox *
CHOKING, Bella (B-Lyrical) Cox
ALL CHANGE, Lise Day
THE ARCHBISHOP’S LAMENT, Graham Dukas
METAMORPHOSIS, Graham Dukas
THE PLACE OF THE JACKAL, Elaine Edwards
IN RESPONSE TO SEEING AN AFRICAN WOMAN ABBA A DOG ON FACEBOOK, Connie Fick *
RE KWALA TSE DI SWA, Tshepo Gaerupe
HLAL’ APH’ EMZINI NGOB’ IINKOMO ZIYATHETHA, Nobuntu Gantana *
WEEKLY SERVICE, Siphokazi Jonas *
I AM BEAUTIFUL, Fiona Khan
CLASS, Musawenkosi Khanyile
CHURCH, Musawenkosi Khanyile *
OMRING, Lara Kirsten *
RIBBONS ON THE FENCE, Lynne Kloot
NTSO YAMATHILE, Nomnikelo Komanisi
THERE’S A ME THAT’S STILL NOT FREE, Portia Mabaso
MOTHERS, WARN YOUR DAUGHTERS OF GAY LOVE, Portia Mabaso
HIP HOP, Songeziwe Mahlangu
APARTHEID IN THE SKY, Patrick Maitland
THEY CAME, Patrick Maitland
SALUTE TO KLIPSPRUIT RIVER, Maishe Maponya
THE TRC – ON THE BOX, Maishe Maponya
THE POWER-POINT POET, Maishe Maponya
CAPE TOWN, Charles Marriott *
JOHANNES SI BHEKE, Kela Maswabi *
UPHAHLA, Zongezile Theophilus Matshoba
GO DIKGAITŠEDI TŠA LEFSIFSI, Katise Mawela
IKASI LAMI, Ongezwa Mbele
PUINHOOP, Marthé Mcloud
HO THABA BA ILENG, Thabiso Mofokeng
DIFAQANE, Maneo Refiloe Mohale
GAUTA O JA BATHO, Tsietsi Mokhele *
YET MORE STONES, George Momogos
VERGANGENHEITSBEWAELTIGUNG, Jackie Mondi
A HUNGRY STOMACH HAS NO EARS, Jackie Mondi
VARIATIONS IN COLOUR, Nedine Moonsamy
LANIWANI, Moses Mtileni *
THE HOUSE WE BUILT, Sifiso Mtshali
TO MOS DEF IN THE WOOLWORTHS QUEUE, Nick Mulgrew *
FOUR MINUTES, Luthando Ncayiyana
THE BARKSOLE MAN, Pamela Newham
TO THOSE FLUTTERING BEINGS, Mandla Robert Ngakane
NOT ANOTHER NURSE’S TALE, Mandla Robert Ngakane
A THANKLESS LABOUR, Vuyokazi Ngemntu
THEY NEVER DIED, Bomikazi Njoloza
ILIZWE LAM, Amanda Nodada
CASSETTE, Sihle Ntuli
REFLECTION, Lazola Pambo
LIKE A LOG, Jim Pascual Agustin
BLACK JOY, Koleka Putuma *
RESURRECTION, Koleka Putuma *
BEDTIME STORIES FOR OUR LITTLE GIRLS, Sibongile Ralana
A PENNY FOR YOUR THOUGHTS, Sibongile Ralana
POWER, Arja Salafranca
COLLATERAL DAMAGE, Ferdie Schaller
THE BURNING MAN, Ferdie Schaller *
BOOTS FOR LITTLE BOYS, Ferdie Schaller
OOGAF, Karin Schimke
UNCLE TOM, Kori Sefeane
AUSCHWITZ, Kori Sefeane
FIX ME, Sinazo Somhlahlo
A REVOLUTION, Caitlin Spring
MINE WILL BE OF AFRICA, David C. Steyn
EVEN BIRDS, Caitlin Stobie
REFUGEE 70, Louella Sullivan
THEATRE OF HEARTS, Elizabeth Trew
STHANDWA SAM’, Lesego Tsoho
NGIYABONGA MAMA, Lesego Tsoho
IN MY CUPBOARD, Troydon Wainwright
A WEDDING POEM, Troydon Wainwright
INVESTMENT RETURNS, Athol Williams
VISIT AT TEA TIME, Athol Williams *
MISSING, Sue Woodward

For more information, contact the Jacana Literary Foundation on awards@jacana.co.za.

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Don’t miss Die Laughing – the new Short Sharp Stories Awards anthology

I am thrilled with the intriguing interpretations of this year’s theme. The inventiveness, the mix of raw and honed talent, and the dark humour make for a rewarding read. – Karina Szczurek

Die LaughingTattoo Press and Jacana Media are proud to bring you Die Laughing, an anthology of stories of wit, satire and humour:

Die Laughing is the fourth of the Short Sharp Stories Awards annual anthologies, following Bloody Satisfied (2013), Adults Only (2014) and Incredible Journey (2015).

In this anthology, writers have poked a little fun at our crazy country, at our politics, our idiosyncrasies, and our down-right ridiculous habits. A number of stories, all with a strong sense of the South African setting, look on the lighter, brighter side of life, and, of course, dark humour is included too – irony, satire and tragi-comedy.

With a foreword by Evita Bezuidenhout, introduction by Darrel Bristow-Bovey, and stories by new voices as well as prize-winning authors, including Greg Lazarus, Gail Schimmel, Fred Khumalo, Stephen Symons, Kobus Moolman, Ofentse Ribane, Barbara Erasmus and Diane Awerbuck, Die Laughing promises to be another stand-out anthology.

The judging panel of the competition was made up of Ken Barris, Karabo Kgoleng and Karina Szczurek.

Adults Only won the coveted 2016 NIHSS Award (National Institute of Humanities and Social Sciences) for Best Edited Collection, and two stories from Incredible Journey were nominated for the 2016 Caine Prize, with Lidudumalingani announced as the winner.

Die Laughing was published in July 2016 by Tattoo Press and is available in all good bookstores. Jacana Media are the distributors.

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