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Archive for the ‘Awards’ Category

Shortlist for the 2018 Gerald Kraak Award announced

Announcing the Gerald Kraak Award shortlist The Jacana Literary Foundation (JLF) and the Other Foundation are thrilled to announce the judges’ selection that will make up the resultant anthology that will be published by Jacana Media in 2018.

“We are really proud of this selection. It represents some excellent writing and thinking, and reflects the diversity of experiences across the continent. It also mirrors many of the themes that continue to dominate the lives of queer people and of African women: depression, harassment, violence, love and joy. There is a fierceness in many of the pieces we selected – a fight-back but also a quirky and authentic take on the world that manages somehow not to be defined by the larger often horribly oppressive contexts in which they were written.” – Sisonke Msimang

In alphabetical order by surname, here are the shortlisted authors and entries:

‘Facing the Mediterranean’ by Isaac Otidi Amuke (journalism, Kenya)
‘Full Moon’ by Jayne Bauling (fiction, South Africa)
‘Sailing with the Argonauts’ by Efemia Chela (non-fiction, South Africa)
‘Princess’ by Carl Collison (photography, South Africa)
‘Africa’s Future Has no Space for Stupid Black Men’ by Pwaangulongii Dauod (non-fiction, Nigeria)
‘Scene of the Crime’ by Pierre de Vos and Jaco Barnard-Naude (non-fiction, South Africa)
‘The Shea Prince’ by Chike Frankie Edozien (non-fiction, Nigeria)
‘The Man at the Bridge’ by Kiprop Kimutai (fiction, Kenya)
‘Site Visits’ by Welcome Lishivha (non-fiction, South Africa)
‘Portrait of a Girl at the Border Wall’, ‘6 Errant Thoughts on Being a Refugee’ and ‘Notes on Black Death and Elegy’ by Sarah Lubala (poetry, South Africa)
‘Human Settlements’ by Tshepiso Mabula (photography, South Africa)
‘Borrowed by the Wind’ by David Medalie (fiction, South Africa)
‘Your Kink’ by Tifanny Mugo and Siphumemeze Khundayi (photography, Kenya and South Africa)
‘Drowning’, ‘In Jail’ and ‘Things That Will Get You Beaten in a Black Home’ by Thandokuhle Mngqibisa (photography and poetry, South Africa)
‘XXYX Africa: More Invisible’ by Nick Hadikwa Mwaluko (fiction, Tanzania)
‘We Are Queer, We Are Here’ by Chibuihe Obi (non-fiction, Nigeria)
‘Reclamation’ by Hapuya Ononime (poetry, Nigeria)

The winner, who receives a cash prize of R25 000, will be announced at an award ceremony in May 2018, hosted by the Other Foundation and attended by the winning author. A special mention will be made and an invitation extended to authors who have been identified by the judges as the most commended and will also be revealed during the award ceremony. In addition, the judging panel and project partners will be attending the event.

JUDGES FOR THE GERALD KRAAK AWARD

Sisonke Msimang, author of Always Another Country, a memoir of exile and home, and a writer and storyteller whose work appears regularly in the New York Times, The Guardian, Newsweek and a range of other international publications, stays with us for the second round of the award as head judge and series editor.

She works at the Centre for Stories as head of training where she works on projects for museums, arts organisations and other public interest cultural institutions. Before turning to writing on a fulltime basis, Msimang worked for the United Nations, focusing on gender and human rights. She also served as the executive director of the offices of the Open Society Foundation in Southern Africa until 2013. She has held a range of fellowships including at Yale University, the Aspen Institute and at the University of the Witwatersrand where she was a Ruth First Fellow.

Professor Sylvia Tamale, a leading African feminist who teaches law at Makerere University in Uganda, joins us again for the second round.

Her research interests include Gender, Law & Sexuality, Women in Politics and Feminist Jurisprudence. Prof. Tamale has published extensively in these and other areas, and has served as a visiting professor in several academic institutions globally and on several international human rights boards.

She was the first female dean at the School of Law at Makerere. Prof. Tamale holds a Bachelor of Law from Makerere University, a Masters in Law from Harvard Law School and a PhD in Sociology and Feminist Studies from the University of Minnesota.

This year we are joined by Mark Gevisser, one of South Africa’s leading authors and journalists. His new book, The Pink Line: The World’s Queer Frontiers, will be published by Farrar Straus & Giroux (US) and Jonathan Ball (SA) in 2018. His other books include Lost and Found in Johannesburg, shortlisted for the Jan Michalski Prize for World Literature (2014), and Thabo Mbeki: The Dream Deferred, which won the Alan Paton Prize in 2008. In 1994, he co-edited the path-breaking Defiant Desire: Gay and Lesbian Lives in South Africa with Edwin Cameron. His journalism has appeared in Granta, the New York Times, The Guardian, Vogue, the Wall Street Journal, the Los Angeles Times, Foreign Affairs, Public Culture, Foreign Policy and Art in America, as well as all of South Africa’s major publications. As a curator, he has worked on Constitution Hill in Johannesburg, and is responsible for ‘Jo’burg Tracks: Sexuality in the City’ (Constitution Hill and MuseumAfrica); his documentary film, The Man Who Drove With Mandela won the Teddy Documentary Award at the Berlin Film Festival in 1999. He lives in Cape Town.

For more information visit www.jacana.co.za or email awards@jacana.co.za.

This project is made possible in partnership with the Other Foundation: www.theotherfoundation.org.


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Tracy Going’s searing, heartbreaking memoir to be published soon

“Searing, heartbreaking, triumphant: Brutal Legacy is for anyone who’s been punched in the face by someone they loved and then stood up again. It’s for every mother who has run, every sister who has picked up the pieces and every friend who hasn’t fled. It’s for every brother who’s cried and for the children who have watched. Every South African should read it.” – Sisonke Msimang, author of Always Another Country

When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked.

South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray. What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.

“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”

The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self.

The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.

“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”

Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.

Tracy Going is an award-winning former TV and radio news anchor. She is best remembered for the years spent waking South Africans on SABC 2’s Morning Live and as a prime-time news anchor for Radio Metro and Kaya FM. She has presented a variety of TV shows across the genres of news, business, women, lifestyle and technology. She has also written two successful children’s story-cookbooks, African Animals: Rhymes & Recipes and Awesome Animals: Rhymes & Recipes, which received the prestigious Best in South Africa Gourmand Cookbook Award, as well as the second position at the world Gourmand Cookbook Awards at The Paris Cookbook Fair in 2013. Over the last four years she has lectured at AFDA film school in Cape Town but left to focus on writing her memoir Brutal Legacy.

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#SaveOurStories: Storied’s crowdfunding campaign is live!

 
 
Jacana Media presents Storied. The project aims to create a long-term impact of keeping African stories thriving and reaching worldwide audiences. Through your investment, Storied will raise the money to help publish more African fiction and poetry which will cater for a diverse reading community and audience scaling up sales margins which will be shared with investors.

As Jacana Media publisher, Bridget Impey, explains:

We came up with this idea of Storied, and Storied is going to be the mechanism for changing fiction publishing in this country; not just for us, but for writers, for other publishers, for everybody.

This is what started it all…
 


 


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When the interviewer becomes the interviewed… Listen to Jonathan Ancer discuss Spy on AmaBookaBooka

We turn the tables in this episode of AmaBookaBooka – the interviewer becomes the interviewed; the griller the grilled; the question asker, the answer giver. I normally host the AmaBookaBooka podcast but in this episode I become the subject – and author, editor and journalist Chris Whitfield plays the role of interviewer-in-chief.

In an uncanny twist of events, Jonathan Ancer found himself at the receiving end of answering the probing, diverting, and rousing questions associated with his literary podcast, AmaBookaBooka. Yes, this episode is dedicated to Ancer’s remarkable Spy: Uncovering Craig Williamson. Meta, ?

Listen to Ancer and Whitfield’s conversation about the seemingly ordinary Craig Williamson, unmasked as an apartheid spy, here:
 

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Sol Plaatje EU Poetry Award and Anthology submissions open

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The Jacana Literary Foundation (JLF) is thrilled to announce that submissions for the seventh annual Sol Plaatje European Union Poetry Award and Anthology will be open from 1 to 16 July 2017! This award and anthology are made possible through ongoing support and partnership with the European Union.

Up to three poems in any of South Africa’s official languages can be submitted via the online entry form that will be put up on the Jacana website on 1 July (http://www.jacana.co.za/awards/sol-plaatje-european-union-poetry-award-95444). Entrants are encouraged to submit poems written in their mother tongue. Entries will close at 5 pm on Sunday, 16 July.

The work submitted is judged blind by a panel of four esteemed poets. As in previous years, a longlist of the best entries received will be published in volume 7 of the anthology. A shortlist of three poets is selected from the longlist, and those finalists will be invited to attend an event at the inaugural annual Nirox Foundation Word Festival in mid-October, where the winner will be announced and cash prizes awarded. The word festival will reverberate the themes around the award, and further question and express subjects exploring our troubled and uncertain times and the pursuit of ‘another way’.

Named after Solomon Tshekisho Plaatje (1876–1932), the Award recognises the life and vision of this highly respected political and social activist. We always hope that it reveals the political and social attitudes of our time, and reflects the complex, nuanced and uncomfortable truths of life in South Africa, and thus, poems which reflect our current realities are warmly welcomed.

For more information, contact the Jacana Literary Foundation on awards@jacana.co.za.


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Farah Ahamed and Sarah Waiswa joint winners of Gerald Kraak 2017 Award

Gerald Kraak

 

Sarah Waiswa and Farah Ahamed

 
The Other Foundation and the Jacana Literary Foundation recently hosted the presentation of the inaugural Gerald Kraak Prize and the launch of Pride and Prejudice: the Gerald Kraak Anthology of African Perspectives on Gender, Social Justice, and Sexuality, at Hyde Park’s Exclusive Books’ Social Kitchen and Bar.

The MC for the evening, Kojo Baffoe, proclaimed that “tonight is about celebrating Gerald Kraak’s legacy.”

Pride and Prejudice is a collection of the short-listed entries to the inaugural award, named after Gerald Kraak (1956–2014), who was a passionate champion of social justice and an anti-apartheid activist.

“This book is a shelter, a place where slums are not art, they are simply where we live. It’s a place where albinos are not unicorns, they are only beautiful and ordinary. And it’s a place where gays are pained and also completely conventional. In this book, strange choppers fly and Africa is a landscape not simply for the past but for projections of the future,” says Sisonke Msimang, Editor in Chief and Head Judge.

The Gerald Kraak Award is a joint initiative between The Other Foundation and the Jacana Literary Foundation.

A judging panel made up of distinguished gender activist Sisonke Msimang, prominent social and political analyst Eusebius McKaiser and leading African feminist Sylvia Tamale selected thirteen finalists.

“The stories in the anthology fight for what is just and right,” Baffoe asserted.

Research co-coordinator for The Other Foundation, Samuel Shapiro, announced that Pride and Prejudice is the first of five anthologies to come about celebrating the LGBTQI community in Africa.

After the attendees were treated to a performance by Danielle Bowler, Msimang delivered a televised message to all the entrants, lauding them for their creativity and “bad-ass” approach to discussing gender and sexuality in Africa.

Matele announced the joint winners for the anthology: Farah Ahamed (Fiction, Kenya) for her short story “Poached Eggs” and Sarah Waisman (Photography, Kenya) for her photo series “Stranger in a Familiar Land.”

“Poached Eggs” is described as a subtle, slow and careful rendering of the everyday rhythms of domestic terror that pays homage to the long history of women’s resistance; yet with wit and humour and grit, the story also sings of freedom, of resistance and the desire to be unbound.

“Stranger in a Familiar Land” showcases the best of African storytelling. The images take risks, and speak to danger and subversion. At the same time they are deeply rooted in places that are familiar to urban Africans. The woman in this collection is a stand-in for all of us.

All 13 entries which were shortlisted will be published in the anthology. The overall winner will receive a cash prize of R25 000.


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Fiction Friday: read an extract from Rehana Rossouw’s award-winning novel What Will People Say?

Novelist Rehana Rossouw was the 2017 recipient of a Humanities and Social Sciences Award, hosted by the National Institute for the Humanities and Social Sciences, in the category single-authored fiction for her debut novel What Will People Say?

Read an extract from Rossouw’s acclaimed novel about the Fouries – a family living in the heart of the Cape Flats at the height of the struggle era – here:

Kevin was waiting at the school gate when Nicky and Shirley strolled out arm in arm at the end of the school day. He stepped forward as they came near. “Greetings ladies, can I escort you today?”

Shirley giggled. “Of course you can, right Nicky?”

Nicky didn’t want Kevin walking with them. He was only after one thing. She hadn’t gone to the SRC meeting at second break; she was too busy sukkeling with Shirley’s problem. She still hadn’t found a solution. As she expected, it didn’t take long – two steps out of the gate and Kevin started on her.

“So Nicky, I was expecting to see you in the meeting this afternoon. There’s work to be done. We planning to bring the country to a stand still for the tenth anniversary of the ’76 uprising.”

Thick, dark irritation filled her face. What must she do to get Kevin to leave her alone? Nicky didn’t want him to escort her anywhere. She wanted to be alone with Shirley; she was planning on going home with her. Shirley shouldn’t be alone on a kak day like this. “I had other things on my mind, okay?”

“What can be more important than the struggle?”

Nicky stopped and planted her fists in her hips, staring daggers at Kevin. “A lot, you idiot. Shirley, for an example. She’s much more important than your blerrie struggle. She got a big problem. Her mother wants her to leave school and go work in the factory with her.”

Kevin turned to Shirley, his face squeezed up like a lemon. “You’ll be a semi-skilled worker fed to the machine to become another alienated unit of capitalist labour.”

Nicky felt like her head was about to burst open like a dropped watermelon, the irritation was so thick. No one could get to her like Kevin. “Speak English Kevin! This isn’t time for a political speech. Shirley needs help. She’s not an issue. She’s only sixteen and she must go work to feed her brothers. You such a blerrie fool!”

Kevin looked like a foster child on his way back to the orphanage.

“Of course I think that’s really kak, Nicky! There must be a way out. We must strategise, see what we can come up with.”

Shirley smiled at him. “You think you can see a way out of it?”

Kevin gave a couple of firm nods. “Let me think on it for a while. As Lenin would say: What is to be done? That’s what we must figure out.”

Nicky stared at their backs as Shirley and Kevin walked away without her. That boy had a nerve! Didn’t he see he wasn’t wanted?

She was going to come up with a solution for Shirley’s problem. They didn’t need him. Why was Shirley hanging onto his words like he was her saviour? She rushed to catch up with them.

The girls’ route home took them past the taxi rank at the Hanover Park Town Centre. The rank fed routes into town, Claremont, Wynberg and Mitchells Plain. Gaartjies shouted out destinations and ushered people into revving sixteen-seaters; pushing flesh and parcels inside as they slid the doors shut.

Nicky, Shirley and Kevin wove their way along the pavement between people streaming to the rank and the hawkers lining the sides. Most were selling vegetables, but there were also stalls with tinned goods, bags of bright orange chips and loose cigarettes. A bakkie blocked the pavement, its back piled high with snoek. A plump man covered with a red-stained, yellow plastic apron gutted and beheaded his silver, toothy catch while customers waited. The fish was wrapped in newspaper and exchanged for a five-rand note. Nicky could smell the sea on the bakkie as she walked past.

Continue reading at thisisaerodrome.com.
 

What Will People Say

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Submissions for Dinaane Debut Fiction Award open

Jacana Media recently announced that submissions for the Dinaane Debut Fiction Award will open on the first of April.

Celebrating thirteen years of producing unparalleled South African literary talent, the Dinaane Debut Fiction Award is the perfect opportunity for any aspiring fiction writer to contribute to South African conversations.

Previous Dinaane winners include Andrew Miller (Dub Steps), Penny Busetto (The Story of Anna P, as Told by Herself), Ashraf Kagee (Khalil’s Journey), James Clelland (Deeper Than Colour), Zinaid Meeran (Saracen at the Gates), Megan Voysey-Braig (Till We Can Keep an Animal), Kopano Matlwa (Coconut), Fred Khumalo (Bitches’ Brew), Gerald Kraak (Ice in the Lungs), and Ishtiyaq Shukri (The Silent Minaret). Tammy Baikie was the recipient of the award in 2016 for her novel, Selling LipService. The book will be published in May 2017.

Coverage aside, the overall winner will be awarded R35 000, be published by Jacana Media and join Exclusive Books’ Homebru campaign.

Submissions will be open from 1 April 2017 to 31 May 2017. Enquiries can be directed to awards@jacana.co.za.

Visit Jacana’s website for more information on the award.

Dub Steps

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The Story of Anna P, as Told by Herself

 
 

Khalil's Journey

 
 

Deeper Than Colour

 
 

Saracen at the Gates

 
 
 

Till We Can Keep An Animal

 
 

Coconut

 
 

Bitches' Brew

 
 

Ice in the Lungs

 
 
 

The Silent Minaret


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Announcing the shortlist for the 2016 Gerald Kraak Award for African writers and artists

 
The Jacana Literary Foundation and The Other Foundation have announced the African writers and artists shortlisted for the inaugural Gerald Kraak Award.

Drawn from a range of African countries, these written and photographic pieces on the topics of gender, human rights and sexuality on our continent represent a new wave of fresh storytelling.

The shortlist will comprise the resultant anthology, titled Pride and Prejudice, which will be published and distributed by Jacana Media and its project partners across Africa in May 2017.

Judges Sisonke Msimang (chair), Eusebius McKaiser and Sylvia Tamale reviewed close on 400 anonymous individual entries over the past four months in order to select the 14 pieces for the shortlist.

Msimang says:

In the current political environment, we are hopeful that expressions like the ones we have chosen – that do not shy away from pain but that are also deeply inventive – find their way into the public consciousness. We think Gerald Kraak would have smiled at a number of these entries, and above all, we have aimed to stay true to his love of fearless writing and support of courageous and grounded activism.

In alphabetical order by surname, here are the shortlisted authors and entries, and short judges’ notes:

  • Poached Eggs by Farah Ahamed (Fiction, Kenya)

A subtle, slow and careful rendering of the everyday rhythms of domestic terror that pays homage to the long history of women’s resistance; yet with wit and humour and grit, the story also sings of freedom, of resistance and the desire to be unbound.

  • A Place of Greater Safety by Beyers de Vos (Journalism, South Africa)

Covers, with empathy and real curiosity and knowledge, underground issues that are seldom discussed in the South African LGBT+ movement – homelessness, poverty, as well as attraction and violence.

  • Midnight in Lusikisiki or The Ruin of the Gentlewomen by Sindiswa Busuku-Mathese (Poetry, South Africa)

This poem hums with sadness and sings with anger. It is full of the sort of melancholy that marks the passing of something very important. It provides an opportunity to connect the themes of gender this collection takes so seriously, with issues of poverty and political corruption.

  • Two Weddings for Amoit by Dilman Dila (Fiction, Uganda)

A fresh piece of sci-fi, written in a clear and bright way, that surprisingly draws on covert and subversive love.

  • Albus by Justin Dingwall (Photography, South Africa)

The choice of exquisitely beautiful high-fashion models to represent people with albinism – who are so often depicted as unattractive, as others – is just breath-taking. It makes its point and leaves you wanting more.

  • For Men Who Care by Amatesiro Dore (Fiction, Nigeria)

A complex and thoughtful insight into a part of elite Nigerian life, as well as the ways in which buying into certain brands of patriarchy can be so deeply damaging – and have direct and unavoidable consequences.

  • Resurrection by Tania Haberland (Poetry, Mauritius)

An erotic poem that is powerful in its simple celebration of the clit.

  • Intertwined Odyssey by Julia Hango (Photography, South Africa)

A solid and thought-provoking collection. The range of poses force questions about power. The photos make the lovers (or are they fighters?) equal in their nakedness and in their embodiment of discomfort.

  • Dean’s Bed by Dean Hutton (Photography, South Africa)

An important contribution to conversations about bisexuality, attraction, age and race.

  • On Coming Out by Lee Mokobe (Poetry, South Africa)

Literal and lyrical, this powerful poem draws one in through its style and accessibility.

  • You Sing of a Longing by Otosirieze Obi-Young (Fiction, Nigeria)

A thoroughly modern epic but with bones as old as time. This is a story of love and betrayal and madness and music that is all the more beautiful for its plainspoken poignancy. Yet there is prose in here that steals your breath away.

  • The Conversation by Olakunle Ologunro (Fiction, Nigeria)

Provides valuable insight into issues of intimate partner violence, family acceptance and the complexity of gender roles in many modern African contexts.

  • One More Nation Bound in Freedom by Ayodele Sogunro (Academic, Nigeria)

An informative piece that gives a crisp and “objective” voice to the many themes that cut across this anthology.

  • Stranger in a Familiar Land by Sarah Waiswa (Photography, Kenya)

This collection of photos showcases the best of African storytelling. The images take risks, and speak to danger and subversion. At the same time they are deeply rooted in places that are familiar to urban Africans. The woman in this collection is a stand-in for all of us.

The winner, who receives a cash prize, will be announced at an award ceremony in May 2017, hosted by The Other Foundation and attended by the authors of the top three submissions as well as the judging panel and project partners.

For more information visit www.jacana.co.za or email awards@jacana.co.za.

This project is made possible in partnership with The Other Foundation: www.theotherfoundation.org.

 

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Panashe Chigumadzi reacts to winning the 2016 K Sello Duiker Memorial Literary Award

Panashe Chigumadzi

 
Sweet MedicineSweet Medicine, the debut novel by Panashe Chigumadzi, won the 2016 South African Literary Awards K Sello Duiker Memorial Literary Award recently.

The winners were announced on 7 November 2016 at a gala dinner at Unisa. Chigumadzi shared her award with Willem Anker, who was honoured for his book Buys.

On receiving the award, Panashe had this to say:

It is deeply affirming whenever you receive external validation for what is most often a solitary and isolating experience. This award in particular is an honour because it bears the name of one of South Africa’s literary greats. Over and above that, as someone with Pan-Africanist ideals, I’m deeply humbled that South African readers were able to find resonance with a story set in Zimbabwe, despite what many prospective publishers had said to me. I’m truly grateful to be a writer who has been allowed the space to bring all of herself and her experiences and to have that appreciated by a reading audience.

Sweet Medicine is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: tradition and modernity,
feminism and patriarchy, spiritual and political freedoms and responsibilities, poverty and desperation, and wealth and abundance.

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