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Archive for the ‘South Africa’ Category

Rights to Land explores land ownership, administration and distribution in South Africa

The issue of land rights is an ongoing and complex topic of debate for South Africans. Rights to Land comes at a time when land redistribution by government is underway. This book seeks to understand the issues around land rights and distribution of land in South Africa and proposes that new policies and processes should be developed and adopted.

It further provides an analysis of what went so wrong, and warns that a new phase of restitution may ignite conflicting ethnic claims and facilitate elite capture of land and rural resources.

While there are no quick fixes, the first phase of restitution should be completed and the policy then curtailed. The book argues that land ownership and administration is important to rural
democracy and that this should not be placed under the control of traditionalist intermediaries.

Land restitution, initiated in 1994, was an important response to the injustices of the apartheid era. But it was intended as a limited and short-term process – initially to be completed in five years. It may continue for decades, creating uncertainty and undermining investment into agriculture.

William Beinart retired from the University of Oxford in 2015, where he was Director of the African Studies Centre and a fellow of St Antony’s College. He has researched and written extensively on South African rural issues and environmental history. His books include The Rise of Conservation in South Africa (2003), Environment and Empire (with Lotte Hughes, 2007), Prickly Pear: The Social History of a Plant in South Africa (with Luvuyo Wotshela, 2011), and African Local Knowledge and Livestock Health (with Karen Brown, 2013). He has worked on land reform planning and as an expert witness in land restitution cases.

Book details

  • Rights to Land: A guide to tenure upgrading and restitution in South Africa by William Beinart, Peter Delius, Michelle Hay
    EAN: 9781928232483
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#SaveOurStories: Storied’s crowdfunding campaign is live!

 
 
Jacana Media presents Storied. The project aims to create a long-term impact of keeping African stories thriving and reaching worldwide audiences. Through your investment, Storied will raise the money to help publish more African fiction and poetry which will cater for a diverse reading community and audience scaling up sales margins which will be shared with investors.

As Jacana Media publisher, Bridget Impey, explains:

We came up with this idea of Storied, and Storied is going to be the mechanism for changing fiction publishing in this country; not just for us, but for writers, for other publishers, for everybody.

This is what started it all…
 


 


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Zapiro launches Hasta la Gupta, baby! (Near the Saxonwold Shebeen, nogal…)

By Mila de Villiers

for maverick writers, fight the good fighters,
hypocrisy haters, sabc eighters,
fake news detectors, real public protectors,
for dirt diggers and go figures,
truth to power speakers and gupta leakers

Thus reads the dedication of Hasta la Gupta, baby!, the 22nd annual to emerge from agent provocateur par excellence, Jonathan Shapiro’s well-versed (and inked) pen.

Launched in the vicinity of a certain Mr. Molefe’s favourite shebeen in Saxonwold, Hasta la Gupta, baby! is a compilation of Zapiro’s most popular cartoons, with a healthy amount of pages dedicated to his more recent work critiquing (among others) Zuma’s asininity (hence the shower head), the nefarious Guptas (hence the title), and Pravin Gordhan’s dismissal (hence the cover-inspiration).

Zapiro described the experience of being so close to the Saxonwold Shebeen as “surreal.

“It feels quite strange to be here under very different circumstances knowing that the country has been taken over just around the corner.”

Attendees were treated to a PowerPoint presentation of a select few comics which appear in the book. (You can take a look at his oeuvre by visiting his website.) Zapiro kindly lent BooksLive to privilege to reproduce the following four:

Zapiro’s representation of Thuli Madonsela’s State Capture report, featuring all the usual suspects.


 

“‘Tis but a flesh wound!” The Monty Python aficionados in the audience enjoyed this depiction of Zuma in a bizarre condition of total denial concerning Thuli Madonsela’s condemning State Capture findings.
 

Zapiro’s pen traversed continents, as seen in this comic of the sentient naartjie (thanks for the apt description, Daily Maverick) groping Lady Liberty – an accurate portrayal of Donald Trump’s presidential regime, steeped in sexism, misogyny and an utter disregard for equality and justice.
 

H.F. Verwoerd seemingly rising from the grave in which ‘aparthate’ was meant to be buried. This comic was created in response to two Afrikaner boere louts, Theo Jackson and Willem Oosthuizen, who attacked Victor Mlotshwa, forcing him into a coffin, and threatening to set him alight. The perpetrators have since been sentenced to prison (serving more than 10 years each) and compulsory community service as janitors and gravediggers in a high veld township’s cemetery. Zapiro’s comic stresses the extent to which the hateful, bleak, and toxic remnants of apartheid are still prevalent in our society.

Hasta la Gupta, baby!

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When the interviewer becomes the interviewed… Listen to Jonathan Ancer discuss Spy on AmaBookaBooka

We turn the tables in this episode of AmaBookaBooka – the interviewer becomes the interviewed; the griller the grilled; the question asker, the answer giver. I normally host the AmaBookaBooka podcast but in this episode I become the subject – and author, editor and journalist Chris Whitfield plays the role of interviewer-in-chief.

In an uncanny twist of events, Jonathan Ancer found himself at the receiving end of answering the probing, diverting, and rousing questions associated with his literary podcast, AmaBookaBooka. Yes, this episode is dedicated to Ancer’s remarkable Spy: Uncovering Craig Williamson. Meta, ?

Listen to Ancer and Whitfield’s conversation about the seemingly ordinary Craig Williamson, unmasked as an apartheid spy, here:
 

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Listen: Sara-Jayne King discusses Killing Karoline with Eusebius McKaiser

Killing Karoline deals with important topical issues relating to adoption, identity, race, mental health and addiction.

Born Karoline King in 1980 in Johannesburg South Africa, Sara-Jayne (as she will later be called by her adoptive parents) is the result of an affair, illegal under apartheid’s Immorality Act, between a white British woman and a black South African man. Her story reveals the shocking lie created to cover up the forbidden relationship, and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes.

Killing Karoline follows the journey of the baby girl (categorised as ‘white’ under South Africa’s race classification system) who is raised in a leafy, middle-class corner of the South of England by a white couple. It takes the reader through her formative years, a difficult adolescence and into adulthood, as Sara-Jayne (Karoline) seeks to discover who she is and where she came from.

Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne begins to turn on herself. She eventually returns to South Africa, after 26 years, to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined. She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old returns from the dead.

Sara-Jayne King is a mixed-race South African/British journalist and radio presenter whose career spans over a decade and has taken her across the globe in search of remarkable stories and fascinating characters. While studying for an LLB degree in the UK, Sara-Jayne realised her passion lay elsewhere and, after graduating, she went on to complete a Master’s in Journalism in 2004. Her career began as a junior journalist in local radio in London and since then has included roles in the Middle East and Africa, most recently as a senior editor for news channel eNCA and presenter for Primedia’s talk radio station Cape Talk.

Sara-Jayne recently was a guest on Eusebius McKaiser’s Literature Corner show. Listen to their conversation here:

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Watch: Pumla Dineo Gqola discusses Reflecting Rogue, normalising freedom and undoing patriarchy on Afternoon Express

Reflecting Rogue is the much anticipated and brilliant collection of experimental autobiographical essays on power, pleasure and South African culture by Professor Pumla Dineo Gqola.

In her most personal book to date, written from classic Gqola antiracist, feminist perspectives, Reflecting Rogue delivers 20 essays of deliciously incisive brain food, all extremely accessible to a general critical readership, without sacrificing intellectual rigour.

These include essays on ‘Disappearing Women’, where Gqola spends time exploring what it means to live in a country where women can simply disappear – from a secure Centurion estate in one case, to being a cop in another, and being taken by men who know them.

‘On the beauty of feminist rage’ magically weaves together the shift in gender discourse in South Africa’s public spheres, using examples from #RUReferenceList, #RapeAtAzania and #RememberingKhwezi.

Reflecting Rogue takes on both the difficulties and rewards of wilfully inhabiting our bodies in ‘Growing into my body’, while ‘Belonging to myself’ uncovers what it means to refuse the adversarial, self-harming lessons patriarchy teaches us about femininity.

In ‘Mothering while feminist’ Gqola explores raising boys as a feminist – a lesson in humour, humility and patience from the inside. In ‘Becoming my mother’ the themes of fear, envy, adoration and resentment are unpacked in mother-daughter relationships. While ‘I’ve got all my sisters with me’ explores the heady heights of feminist joy, ‘A meditation on feminist friendship with gratitude’ exposes a new, and more personal side to ever-incisive Gqola.

Reflecting Rogue comes to a breath-taking end in ‘A love letter to the Blackman who raised me’.

Gender activist, award-winning author and full professor of African Literature at Wits University, Pumla Dineo Gqola has written extensively for both local and international academic journals. She is the author of What is Slavery to Me? (Wits University Press), A Renegade Called Simphiwe (MFBooks Joburg) and Rape: A South African Nightmare (MFBooks Joburg).

Here Pumla discusses normalising freedom, undoing patriarchy, and the state of South Africa’s universities with Jeannie D and Bonnie Mbuli:


 

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“I have PTSD and this novel was my outlet” – Rehana Rossouw at the launch of New Times

Apartheid, religion, homosexuality, Mandela The Sellout, politics of the newsroom, corruption in the UDF – Rehana Rossouw and Heather Robertson discussed the contents of Rehana Rossouw’s new novel (yes – it’s a novel!) in all its gritty detail at the recent Love Books launch of New Times.

As Kate Rogan, co-owner of Love Books, rightly stated – “it’s fantastic to see such a turnout for a work of fiction.” And a turnout it was.

Give them Rehana Rossouw, and they will come.

Robertson, previous editor of The Herald, and Rossouw’s personal and professional relationship spans over 30 odd years, when they met in the newsroom of anti-apartheid newspaper, South.

The 1980s was marked with terrible violence, Roberston stated.

“We attended far too many funerals…”

Robertson described Rossouw’s protagonist, a young, “shit hot reporter” Aaliyah – who goes by Ali in the newsroom – as a “fantastic character.

“You’ve created universal characters we can all relate to. They’re people we’ve all met.”

Robertson also lauded Rossouw for the beautiful prose, which “touches on humanity and what it means to be human.”

Two characters in the novel, including Ali, suffer from PTSD. Robertson commented that 1995 (the year in which New Times is set) was a year devoted to the ideals of the rainbow nation and reconciliation, yet those who bore the brunt of apartheid were inherently damaged.

“I have PTSD,” Rossouw replied. “This novel was an outlet for what I was going through. I’ve seen too many things that have had lasting effects.”

Rossouw’s PTSD manifested as flashbacks to bomb blasts, during which “I’ll be pulled out the present and taken into the past.

“I’ve witnessed too much and I can’t live with those memories.”

There was no time to process the violent acts she witnessed; “tomorrow we’ll bury another body, tomorrow there’ll be another shooting.”

She mentioned how an SADF member confessed to her how traumatised he was by the crimes he perpetrated.

“Trauma was experienced on both sides of the struggle, yet the SADF had little support. At least we had the comfort of victory… The SADF were left alone with the their memories. Nobody talks about it.”

Rossouw’s engagements with students committed to the FeesMustFall movement also influenced the contents of New Times.

“They were arguing for violence. That’s a dangerous thing; it has repercussions.” Furthermore, the Fallists perpetuated the idea of Mandela as a sellout; “I had to look at that.”

Tymon Smith, features writer at the Sunday Times, commented in a review of Rossouw’s novel that 1995 was the ‘beginning of our demise’.

“Do you agree?” Roberston enquired.

“Absolutely,” Rossouw forthrightly stated. She attributes South Africa’s demise to the lack of communication between the country’s political parties, a reluctance to accept democracy (“People were still waving the old flag”) and tender corruption, among others.

When asked to elaborate on her personal encounters with Mandela, Rossouw responded that she was tasked with covering the first year of his presidency, but added that he was hardly ever in the country. “I was so bored!”

Not only did she critique his absence from the country, but also his lack of engagement with people in the townships, adding that he was too focused on pacifying Afrikaners.

Robertson’s next remark on the substantial amount of sex scenes (“There’s a lot of sex in the book!”) elicited hearty laughter from the audience.

And not only in the newsroom (think editors, journalists, and office tables), but out of it as well.

Another pivotal part of the novel is that Ali is a lesbian. A Muslim lesbian.

When she goes home – the Bo-Kaap, where both Rossouw’s grandmothers were born – she’s “a different person.

“She finds it comforting – the culture, her home, her religion,” Rossouw explained, adding that there’s “no space for that [lesbianism] at all” in a community like the Bo-Kaap. She even (semi) joked that, although it’s 2017, you’ll still find people in the Bo-Kaap community who’ll claim to not know any gays or lesbians. The burden of this “hidden shame” from the community is a “stumbling block and a cause of her breakdown,” says Rossouw.

Robertson elaborated on the “unspoken shame” faced by lesbians, yet moffies are regarded as fun, flamboyant and accepted into society. Homosexual women still have to conceal their sexuality; why bring this up? “The moffies and the letties?”

Not only was the Nelson Mandela Foundation an invaluable source of material on Mandela for her book, Rossouw responded, but their South African history archive proved to be equally informative.

“AIDS was another big thing in 1995,” Rossouw said. “It was the year when the heterosexual community started to be affected by the virus, but those that were dying were gay.

“Thus the character campaigning for AIDS had to be gay.”

And her views on the current state of journalism, as compared to the ’80s / 90s?

Rossouw is of opinion that the sense of camaraderie doesn’t exist anymore; the stories are the same – “we’re still reporting on poor black South Africans, the government still doesn’t care”; those in charge don’t provide essentials such as transport, or expect journalists to pay for their own data when forced to work from home when, say, the internet’s down; and – this she emphasised more than once – “PEOPLE DON’T READ. They’re not bad journalists, but THEY DON’T READ.”

An audience member was curious as to whether we can expect an autobiography or memoir from Rossouw…

A definite ‘no’ substantiated with “I’m not interesting enough!” had the whole audience unanimously respond with what can only be described as an onomatopoeic version of ‘Ja, right, Rehana.’

Oh, how she blushed.

New Times

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“I was sure nothing could match the satisfaction of watching Madiba walk out of prison” – read an excerpt from Rehana Rossouw’s New Times

 

From the acclaimed and award-winning author of What Will People Say? Rehana Rossouw takes us into a world seemingly filled with promise yet bedevilled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times.

Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy’s politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Her friend Lizo works in the Presidency, controls access to Madiba’s ear. Another friend, Munier, is beating at the gates of Parliament, demanding attention for the plague stalking the land.

Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. The Rugby World Cup starts and tourists pour up the slopes above the city, discovering a hidden gem their dollars can afford.

Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, can she break free?

Told with Rehana’s trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.

Rehana Rossouw was born and rooted in Cape Town, but is currently in self-imposed exile in Johannesburg. She has been a journalist for three decades and has also taught journalism and creative writing. She has a Master’s in Creative Writing from Wits University.

Chapter Three

People don’t greet at The New Times, the white people in particular. They drop their heads and stare at the floor like the answer to the meaning of life is carved there when they hear my hello. What’s that about? How do you start a conversation with people who don’t greet? At The Democrat a morning greeting would be followed with a full account of everything that happened since the last sighting. Colleagues told each other what they made for supper, how long they struggled to get their children to bed, what they thought of what they watched on TV, what position had been taken in the marital bed, how many minutes they kept it up, what was discussed afterwards, should the bathroom be tiled this year or can it wait until after the driveway is paved?

The first of my greetings returned come from Luvuyo, Johnson and Thandiswa when I reach my desk at the back of the newsroom. Roger the white intern throws a casual howzit in my direction when he arrives but doesn’t stop to hear how I am. I teach him how to greet – molo for one person, molweni for many. Ask unjani? Wait for an answer. Most of the time the answer is ndiyaphila, everything’s fine. Roger seems interested in learning.

I retreat to the balcony with a cup of coffee, a cigarette and a copy of the morning paper. The smoke soothes my nerves, the predictable political coverage in the paper boosts my confidence and the coffee warms my vocal chords. I head for my desk, flip open my contact book and hit the phone.

I call the national police spokesman; I’ve given up waiting for answers from the Western Cape. Mandla doesn’t sound too surprised that I’m asking about progress on the investigation into the Minister of Welfare’s corruption. He insists that I put my questions in writing and fax them to Pretoria, refuses to commit to when he’ll answer them. I know it’s a waste of time but I phone the Western Cape police spokesman again. Loftus won’t confirm or deny anything. The Welfare Minister’s secretary promises, for the third time, to tell him that I called and ask that he calls back. I phone Coen at the party’s headquarters and shake his cage again but nothing falls out, not a single word I can use.

My next call is to Andile Chiliza at the Air Force. He delivers on the promise he made at the farewell party. ‘Second Lieutenant Khanyiswa Patekile is available for an interview at fourteen hundred hours tomorrow.’ Only six months in the job and the military speak rolls off his tongue like a second language. ‘That’s a confirmation Ali; the story is yours exclusively. Bring a photographer; we want to pose her next to a Mirage fighter jet.’

Johnson introduces me to Bongani Khumalo, the office manager with a wide path parting his tight curls, his bright white shirt wrapped in a bottle-green cardigan with wooden buttons. He says ‘you’re welcome’ every time I thank him for the arrangements he makes to get me a new press card, business cards and transport. I book a pool car for two o’clock for the Steel Workers Union’s press conference and one for tomorrow to get to the Air Force base. ‘You’re welcome,’ Bongani says as I back out of his office with profuse thanks.

I pass Joy’s desk several times on my way to the printer and the fax machine. She’s glued to the phone, her face hidden behind a shield of oily hair. I drop a note on her desk as I leave for the press conference, telling her where I’m going. She doesn’t look up.

There are ten rows of chairs set out in the hall at Community House in Salt River, where the Steel Workers Union has offices. I get through ten pages of Chomsky while I wait for everyone else to show up, swept away by his description of how the US media ‘lost the war’ waged by their government in Vietnam. Lizo’s right, there’s a lot more I need to learn about the power of the media’s punch. I was sure nothing could match the satisfaction of watching Madiba walk out of prison. But journalism practised at a much higher level in America brought an end to a war waged by the mightiest army on earth.

The press conference starts forty minutes late with three reporters in attendance. Five union officials seat themselves at the table facing us, behind them a red banner with the union’s logo and the words ‘ORGANISE OR STARVE’ in bold black letters. It was put up minutes earlier, by two of the men in red union T-shirts at the table. There’s no photographer present to record their effort.

Steel Workers Union secretary John Carelse’s square face is scaffolded by a strong chin. His red T-shirt stretches across his wide chest, he is the perfect poster partner for Rosie the Riveter. Spit bubbles on his lower lip as he spews his rage towards the assembled journalists, slow enough so we can record his every word.

‘The capitalists refuse to pay equal wages to workers, regardless of race or gender, up to this day – a full year after we won our liberation. They made record profits last year when the world flocked to South Africa to do business with it again. We made that possible; our members sacrificed their livelihoods and their lives to destroy apartheid. But now, while our politicians enjoy equality down the road in Parliament, it is nowhere to be seen on the factory floor.’

I look up from my notebook when Carelse stops, gropes for a handkerchief in his jeans pocket and wipes foam off his mouth. I start taking notes again when he launches into his next round of fury but soon stop and raise my head. I’ve heard this several times before; it’s his favourite theme.

‘The huge salary gap between CEOs and workers is the result of capitalist greed. Capitalism claims that apartheid denied blacks a decent education, houses, healthcare, water and electricity. Our analysis reaches a different conclusion; they worked hand in hand with the apartheid regime so they could be provided with a cheap source of labour. Now that we have a democracy, what’s their excuse for blocking equity on the shop floor? The reason is clear my friends, and there is only one: capitalist greed.’

I raise my hand, I need to get a question in before Carelse starts on what always comes next, a short history of the exploitation of workers in South Africa since the arrival of Jan van Riebeeck in 1652, followed by a long recitation of their brave struggle. His forceful delivery draws militant roars at mass rallies, but we’re not here to be recruited. All I came to hear is what he is going to do about this mess.

New Times

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Launch: Hasta la Gupta, baby! by Zapiro (27 November)

No little thorn in the flesh or irritating fly in the ointment, Zapiro just cannot be ignored.

It’s been one helluva year. We’ve held our breath thinking Zuma may resign. We’ve seen Juju re-booted and Zille tweeted out. Racial tensions rise, tempers and fires flare. Still the rich get richer and the poor get Khayelitsha.

We’ve seen Trump’s megalomania, Bell Pottinger’s spin and Pravin’s fightback, cadres captured and Cabinet’s relocation to Saxonwold Shebeen.

GuptaLeaks threaten to drown us and as the flood rises the rodents scatter.

And who better to make sense of this than Zapiro, political analyst, cartoonist and agent provocateur.

He has the ability to knock the air out of us, to rock us back in our seats, to force us bolt upright with a 1000-watt jolt of electrifying shock. He makes us angry, he makes us laugh and he makes us think. He shines a light on the elephant in the room, presents the emperor in all his naked glory. Impossible to brush off, he is determined to provoke a response.

When all around is crumbling, when fake news and zipped lips conceal the truth, Zapiro comes to the rescue. With the dissecting eye of a surgeon, the rapier-like point of his pen exposes flimflam, and reveals with a line what lies behind the action.

Zapiro is Jonathan Shapiro. Born in 1958, he went through architecture at UCT, conscription, activism, detention and a Fulbright scholarship to New York before establishing himself as South Africa’s best-known cartoonist. He has been the editorial cartoonist for the Sunday Times since 1998 and Daily Maverick starting 2017. Previously he was editorial cartoonist for Mail & Guardian and for The Times. He was also editorial cartoonist for Sowetan and Independent Newspapers. He has published 21 best-selling annuals as well as The Mandela Files, VuvuzelaNation (a collection of his sporting cartoons) and DemoCrazy (his cartoon collection on SA’s 20-year trip.)

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Listen: Raymond Suttner discusses Inside Apartheid’s Prison on Drivetime

Inside Apartheid's PrisonRaymond Suttner, author of Inside Apartheid’s Prison is one of a small number of white comrades who played a substantial in bringing apartheid to an end.

Suttner, who lives in Johannesburg, is a part-time professor at Rhodes University and an Emeritus Professor at the University of South Africa. Initially a legal academic, he later obtained an interdisciplinary PhD in history, political studies and sociology.

During the apartheid era he was jailed for his activities as an ANC underground operative, as described in this re-issued edition. His other titles include The ANC Underground (2008) and Recovering Democracy in South Africa (2015), both published by Jacana Media.
 

Suttner recently was a guest on Shafiq Morton’s Drivetime show. Listen to their conversation:

 

First published by Oceanbooks, New York and Melbourne, and University of Natal Press, Pietermaritzburg, in 2001, Inside Apartheid’s Prison was shortlisted for the Sunday Times Alan Paton award in 2002.

In the public imagination the struggle that saw the end of apartheid and inauguration of a democratic South Africa is seen as one waged by black people who were often imprisoned or killed for their efforts. Raymond Suttner, an academic, is one of a small group of white South Africans who was imprisoned for his efforts to overthrow the apartheid regime. He was first arrested in 1975 and tortured with electric shocks because he refused to supply information to the police. He then served eight years for underground activities for the African National Congress (ANC) and South African Communist Party (SACP).

After his release in 1983, he returned to the struggle and was forced to go underground to evade arrest, but was re-detained in 1986 for 27 months; 18 of these being spent in solitary confinement.

In the last months of this detention Suttner was allowed to have a pet lovebird, which he tamed and used to keep inside his tracksuit. When he was eventually released from detention in September 1988 the bird was on his shoulder.

Suttner was held under stringent house arrest conditions, imposed to impede further political activities. He however defied his house arrest restrictions and attended an Organisation for African Unity meeting in Harare, where he remained for five months. Shortly after his return to SA, when he anticipated being re-arrested, the state of emergency was lifted and the ANC and other banned organisations were unbanned.

The book describes Suttner’s experience of prison in a low-key, unromantic voice, providing the texture of prison life. This ‘struggle memoir’ is also intensely personal, as Suttner is not averse to admitting his fears and anxieties.

The new edition contains an afterword where Suttner describes his break with the ANC and SACP. But he argues that the reasons for his rupturing this connection that had been so important to his life were the same ethical reasons that had led him to join in the first place. He remains convinced that what he did was right and continues to act in accordance with those convictions.

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